The Queen carries the considered detail of the hotel straight into the room. A black bed frame, a bath tiled floor to ceiling in black, and brushed brass running through all of it.
Brass everywhere you look: the sconces, the reading lights, the push-button switches you press rather than flip. The note that sets it apart is the chair, a single armchair in warm persimmon, a spot of warmth against all the black.
A marble washstand, a walk-in rain shower behind the black tile, red oak floors throughout. A well-made room with everything within reach.
